Amour, acide et noix (Love, Acid and Nuts)
Daniel Léveillé (Montreal)
Presented with community partner Queer Arts Festival
Note: This performance includes nudity.
2004 Dora Mavor Moore award, in category “Outstanding New Choreography”
The body, in all its plaintive and humble beauty, forms the fundament of Daniel Léveillé’s masterwork Amour, acide et noix (Love, Acid and Nuts). Winner of the Grand Prix de la danse de Montréal (2017), Léveillé’s artistic integrity, vision, and creative impact have shaped Canadian dance. His iconic work returns with a critical lesson: “We must love one another or die,” as the poet W.H. Auden wrote. A maxim that is rendered explicit as the quartet of performers enact rituals of supplication, rejection, and finally unity.
With its reference to the paradoxical/quixotic nature of passion, the title offers an entry point, but that is only the beginning of the journey. Set against a score of Vivaldi’s Four Seasons, pop music, and birdsong, Léveillé uses the mechanics of arms, legs, torsos and skulls to plumb the very nature of the human condition. As the dancers move through a series of entanglements, the shock of nudity disappears, helped along by a lick of humour that runs underneath the solos, duets, and ensemble work.
It is the body that remains: the pliant mounds of buttocks, the weave of arms and legs, pubic thatches and the bellow of lungs, a slow roll of spine, a splay of toes. The language of skin and sinew, muscle and bone offer a lexicon that is immediately understandable yet infinitely mysterious. The shared commonality of the physical is reborn in all its delicacy and resolve.

Presentation Supporter
The McGrane – Pearson Endowment Fund, held at the Vancouver Foundation
Top image: Daniel Léveillé, Amour, acide et noix (Love, Acid and Nuts) © Julie Artacho.
October 24 & 25, 2025 | 8pm
Vancouver Playhouse
600 Hamilton Street
Running time: 60 minutes (no intermission)
Hours: 10am-4pm, Monday–Friday
Phone: 604.801.6225
Email: boxoffice@dancehouse.ca
7:15pm each night in the Upper Lobby
Guest: Marie-Andrée Gougeon, Daniel Léveillé Danse Development Manager
Host: Kaija Pepper, Editor of Dance International magazine (2013-2023)
⚠ Limited tickets available
- October 24, 2025 - 49 seats available
- October 25, 2025 - 58 seats available
“The deliberate baldness of the vocabulary and the richness of the music… releases a rage hard as steel and, paradoxically, soft as the skin.”
Le Monde, Paris
“[Léveillé] forces us into the participatory act of confronting our taboos and desires.“
The Village Voice, New York
As a creation and production company, Daniel Leveille Danse (DLD) invests in dance and performing arts creators who are deeply committed to artistic research. Guided by its artistic director, the organization offers personalized and strategic support to help creators make their voices heard both at home and abroad. In addition, DLD develops structuring projects that contribute to the fabric of its community.
The company supports the work of Frédérick Gravel, its artistic director, in addition to promoting projects by Catherine Gaudet, Alix Dufresne, Ellen Furey, Stéphane Gladyszewski, Étienne Lepage, Manuel Roque and Daniel Léveillé.

Daniel Léveillé
A well-known Canadian choreographer and dance teacher, Daniel Léveillé holds a place of high regard on the national and international scenes of contemporary dance. In forty years of practice, he has contributed to the development of choreographic art by creating a corpus of major works performed by exceptional dancers.
An alumni of Groupe Nouvelle Aire, Daniel Léveillé worked for many years as an independent choreographer before founding his own company, Daniel Léveillé Danse, in 1991. While penning choreographies for different dance and theatre companies, he was a Professor of creation and interpretation at Université du Québec à Montréal’s (UQAM) Dance department from 1988 until 2012. Pursuing this double career path, he refines and deepens his choreographic style and develops a unique approach to the interpretation of dance, without submitting to the demands of the art market.
Daniel Léveillé was awarded the Grand Prix de la danse de Montréal in 2017 for his impact on the dance community and the longevity of his career. The jury sought to recognize Léveillé’s unique signature, his artistic integrity, and the remarkable support and transmission efforts enabled through Daniel Léveillé Danse. In 2018, Daniel Léveillé steps down as artistic director of the company and is replaced by Frédérick Gravel. He remains active in the company as a choreographer.

Marie-Andrée Gougeon became active in the dance community in the early 1980s, after training at the Pointépiénu dance school and in the main dance institutions of the time, where she met the creators and dancers who gradually built the future of our dance, especially in Montreal, but also in Toronto and New York.
Present on stage until 2001, she then reoriented her career to take up the positions of artistic assistant, playwright and rehearsal manager, especially in Berlin, with the German choreographer Sasha Waltz for the creation of Körper (2000), presented at the prestigious Schaübuhne am Lehniner Platz. Back in Montreal, she became assistant to the artistic director of the Jean-Pierre Perrault Foundation. Simultaneously, she has a professional relationship with choreographer Daniel Léveillé who invites her to take an active part in the company Daniel Léveillé nouvelle danse, in the aftermath of the creation of Utopie (1997) and Amour, acide et noix (2001). She then began to learn how to manage artistic projects and, with Daniel Léveillé, devised a support model that encouraged the national and international influence of the works of visionary creators. This model, which involves the entire DLD team, contributed to the development of 13 different creators and ensured the distribution of 43 works in 157 cities around the world. In this process, Georges Skalkogiannis, artists’ agents, and her friend and confidant Claude Béland, visual artist, were major accomplices.

Pre Show Talk Host
Kaija Pepper’s writing on dance is widely published in national and international magazines, journals, newspapers and theatre programs. Her most recent book, Falling into Flight: A Memoir of Life and Dance, was published by Signature Editions in 2020. Her flash memoir, Summer of the Twist, was part of Room magazine’s Bodies issue in 2024. As editor of Dance International magazine (2013-2023), she enjoyed working with writers from around the globe.

Lou Amsellem started her dance training at Louise Lapierre Danse (Montreal) learning ballet, contemporary, tap, jazz and hip-hop.
She is a graduate of l’École de danse contemporaine de Montréal where she got to work with canadian choreographers such as Virginie Brunelle, Heidi Strauss, Riley Sims and Sébastien Provencher.
Also a model and dancer, we can see Lou in many music videos and commercials. In the winter of 2022, she entered the company Sylvain Émard Danse.
Lou shares her passion for movement through teaching since 2018. In 2020, she co-founded Horizons collective in which their interests are instinctive movement and the use of objects in space.

Marco Arzenton started studying modern dance and urban dance in a private school in the province of Padua. He attended many workshops with different teachers integrating his training through theater courses and dance therapy classes. In 2018, after the audition, he attended ADT, a professional training course directed by Greta Bragantini, where he had the opportunity to deepen the study of modern and contemporary dance. From the following year he joined the “Iuvenis danza” company as a young dancer, first in various projects and then taking part in the re-edition of the performance “ON ATTEND… little Godot da camera”.
From December 2019 he started working as a mime dancer for some lyrical symphonic foundations in Italy including the Arena di Verona Foundation, the Donizetti Theater Foundation in Bergamo, the Alla Scala Theater Foundation in Milan. In October 2021 he joined Mario Coccetti’s “Esse Dance Company” in the first studies of “Darkroom”, “The Winner” and in the production “Orfeo ed Euridice, Melancholia”. In July 2022 he passed the audition for the realization of the performance “Perpeetum Mobile” produced by “MN Dance Company” by Michal Rynia and Nastja Bremec for SNG Nova Gorica, Slovenia.

Marco Curci began training in dance at six, studying ballet, modern, contemporary, tap, and acting. He trained with renowned teachers and earned scholarships to AMDA (NYC), Peridance Capezio Center (NYC), and Studio Harmonic (Paris).
From 2015 to 2018, he co-hosted a radio show in Italy while earning a degree in Linguistic and Intercultural Mediation, including studies in Germany. In 2016, he joined DV8 Physical Theatre’s workshop in Berlin and became a dancer with Eleina D. Dance Company, refining his movement with Vito Cassano and training in aerial dance with Claudia Cavalli. In 2020, he was selected for the Biennale Theatre College (Venice) and taught at Kataklò Academy. In 2021, he performed in Choròs (Oriente Occidente Festival) and attended Gecko Theatre’s Professional Residency in London.
He currently works as a dancer, aerialist, and performer for Eleina D. Dance Company in productions including Humans, Little Red Riding Hood (Eolo Award 2019), Anima Mundi, Hooked, and Phobos (co-produced with Ballet National de Marseille).

Jimmy Gonzalez is a self-taught juggler who perfected his practice at the École nationale de cirque de Châtellereault and the École nationale de cirque de Montréal. After co-founding the non-profit organization Et des Hommes Et des Femmes, he won the gold medal at the Sol y Circo Festival in 2013 and the gold medal at the Festival Mondial du Cirque de Demain in 2015. Since then, he has performed with world-renowned companies such as Cirque du Soleil, Cirque Eloize, and Les 7 Doigts de la Main.
In recent years, Jimmy has turned to the creation of participatory improvisation systems to create evolving and random choreographies and landscapes, evoking simple images that highlight the beauty of human interactions. With his partner Erika Nguyen, he is working on multidisciplinary creation projects that question and re-imagine the circus arts.
CREATION (2001)
Choreography ……………………………………………………………………………………………………………………………..Daniel Léveillé
Dancers at Creation……………………………………….Jean-François Déziel, David Kilburn, Ivana Milicevic, Dave St-Pierre
Light Design……………………………………………………………………………………………………………………………………Marc Parent
Music ……………………………………………………………………………………………………………….Four Seasons by Antonio Vivaldi
Rehearsal Director………………………………………………………………………………Marie-Andrée Gougeon, Sophie Corriveau
Technical Director …………………………………………………………………………………………………………………..David Desrochers
Production ………………………………………………………………………………………………………………………. Daniel Léveillé Danse
Development………………………………………………………………………………………………………………….Marie-Andrée Gougeon
Support at Creation: Agora de la Danse (Montréal), Faculté des arts et département de danse de l’Université du
Québec à Montréal
RERUN (2024)
Choreography ……………………………………………………………………………………………………………………………..Daniel Léveillé
Dancers ………………………………………………………………. Lou Amsellem, Jimmy Gonzalez, Marco Arzenton, Marco Curci
Light Design……………………………………………………………………………………………………………………………………Marc Parent
Music ……………………………………………………………………………………………………………….Four Seasons by Antonio Vivaldi
Rehearsal Director…………………………………………………………………………………………………………………………Justin Gionet
Technical Director …………………………………………………………………………………………………………………………..Marc Parent
Production and Development …………………………………………………………… DLD | Direction artistique Frédérick Gravel
Co-Production……………………………………………………………………………………………. Centro Servizi Culturali Santa Chiara
Artistic Eye………………………………………………………………………………………….Marie-Andrée Gougeon, Sophie Corriveau
Residencies…………………………………………………………………………Studio Cunningham + Montpellier Danse (France) +
………………………………………………………………………………………………………..Centro Servizi Culturali Santa Chiara (Italie)
Dates & Times
October 24, 2025 | 8:00 PM
October 25, 2025 | 8:00 PM






